An editor in another city takes over a short documentary. Production holds the source drive, and the editor needs the team’s selects, the current cut and edit media that opens in the NLE.
How Stringout solves this
01
The next editor needs the choices behind the cut
Stringout puts the team’s project and indexed media in Finder, with the reviewed interview answers and supporting picture selected. The first assembly still points to each select’s source file, so the editor in another city opens the cut the team built.
The editor opens the project and the available edit media in Premiere, Resolve or Final Cut Pro while the camera drive is with production.
02
The returned cut needs to remain a usable version
The handoff is an editable project with named sources. When the editor saves a project file with supported picture edits back to the share, Stringout records the changed cut as a new version of the team’s project. The next editor starts from that version when the documentary changes again.
03
The grade needs the camera original
Prepared edit media is for cutting, and the grade may need the camera file. The editor requests the selected original from the teammate who holds it and finishes in the team’s own tools. Both Macs must be online, and the plan’s original-transfer allowance applies.
The result
The next editor can pick up the cut
The remote editor opens the prepared selects, source media and working project from Finder and cuts in the chosen NLE. Supported changes come back as a new cut version, and the editor requests the camera files that finishing needs.
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